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武汉音乐学院的《黄钟》
Music papers: State the relationship between poetry and music 【China】 relationship between poetry and music to add date :2006-1-7 "The relationship between poetry and music", in recent years seems to have become the "school of learning", in poetry, words, music, and "Poems", given the academic conference, this issue often referred to as academic topics will be, perhaps it is the first time So many participants, but there are many middle-aged and young scholars, it is very "The relationship between poetry and music," the meaning of the phrase we all understand, but "poetry" in the word itself contains the "music", so this formulation can fix what is not? Or it can be said: "Poetry in the relationship between poetry and music," or direct, said: "the relationship between poetry and " I personally used to be divided into two sentences, the sentence is: "Singing in 'text' and 'music' of the relationship" - singing, is the "text" and "music" combination; longer sentence is: "verse and the relationship between music "- although any verse (or prose) can be put into singing, but in reality, there are some genres and works of verse for singing and writing is I read some of the text book, many times to participate in the academic will be, it can be said is that the content of "the relationship between verse and music"; accordingly, all of which the author of the text book, which will be launched in the academic and who presided over almost all of the participants are "text world" For example, on the so-called "Voice of Poetry", on "the relationship between words and music" are the text of profession and The subject, of course, not only for the text sector, should also be the same for Music, but also study "music" and "text" of relationships, but mainly when the songs today "Music image" and "mood lyrics" or "melody" and "voice" of the type of relationship; rarely entered involved in the study of the text as "text, music relations," the breadth and depth, at least not fully carried out our national music and traditional verse study of the relationship This phenomenon is China is a "poetry of the state," For thousands of years, the development of national traditional verse height and depth, far better than the music - this is our country and foreign countries such as European history is very different Just look at a phenomenon perhaps can understand about: singing is "the text, music," The combination of these in our country is the "music" left (forget, homes) has been abandoned as a stay of mass through the ages "(rhyme) the text" -- "Poetry" show, Fu, Fu, poetry, words, (North-South) and other songs; while the European countries do? You can sing the "text (the word)" and to throw aside the "music" as a separate music device (in this case only in our country, "Qin", but it is not Guoqin within the scope of our study ) In China, the verse form, as noted above many of the chapter in the composition and style sentence, Metrical structure; music then? Never seems to have the "body music", "music" type of concept (not ancient); exactly the opposite in Europe, Lok body, music style, from the phrase, Le Duan, harmony, counterpoint to the music, music, symphonic music, opera and so on, and the integrity of the specification, while the "text (words)" do? In addition to the so-called "sonnet", they are not of the verse (the formation) to identify and standardize the "style" Is it so? In recent years, the research community there is a saying that: the development of my style (such as words) is decided by the music style and the rhetoric is "speech filled by music," "Music Literature", the word body composition is: "in accordance with Qu set body, in accordance with paragraph Tablets music by song shoot for the sentence, as far as rhyme cavity, pre-trial use of the word sound, "and so on, there is no such a thing can not That is, to the Song Dynasty, the poet of thousands, for tens of thousands of words, of course, is the "culture" for; "music" then? In addition to Jiang, in its more than Whitehead's first "song from the degree of" word for word the edge there is not complete (do not know in the course have been copied wrong) other than the music symbol, a sound is not to And those who "self-degrees Qu," Jiang said M Bai Shilao its own, is his early, and then to Law Society" from the word (and then only those who did), and there first, "music" and then "fill in speech" thing? Because it is not The fact is, both in history and today, our range of genres, singing in the style "text" and "music" of the relationship between, on the whole is: "Culture" mainly, "music" A little more specific that is four: First, to the text of articles, chapters for the music papers, chapters; Second, to the text of "Music (broken)" Department for the music of "live" - roughly the equivalent of this is known as "Le-paragraph"; Third, the text of the "sentence (off)" Department for the music of "Dayton" - this is known as a very rough "phrase"; Fourth, in order to sentence the "step-by-step section" for the phrase in the "Music Festival" to promote thinning疾徐portfolio; More than four, a rare exception, in that the premise of four, in the specific diction, sentence, word and music to combine the melody of the relations, can be divided into two categories: One is: in order to stabilize the melody or the fundamental stability (what I call the "fixed cavity") Level and Oblique Tones enough to sing a variety of informal tone of diction; One is: The word text word phrases to help Reading Level and Oblique Tones voice tone into the music, and constitute a melody; The former I call the "mass cavity speech" is a typical "sub-paragraph section body spectrum Song", such as a large number of "folk songs, minor," and today's Such as "Lan Hua Hua" can be used in whole or in basically the same as the melody to sing the "Green Line Line Line Line that Lan Lan months to adopt English-English" and "You die to the early " The latter, I call it "line sound chamber according to the word" typically "sing song", such as "The Peony Pavilion Peony" Luo gowns soap〕 〔 The first sentence: "the original opening times colorful," the music must sound from the word "Pingkai / Pingkai / to ∧, the ∨,-, Pingkai /- to ∧" ups and downs of the music into a melody for group into Oita above two categories, however, in our singing, "diction" status in general has always been On the one hand, that our country above (at least in history) there is no "free speech song," and, on the one hand, even in the "to (defined in singing) speech cavity Biography" in singing, if the melody and the words read music voice contradictions occur too often, often singing voice to make some adjustments on the so-called "cavity-Run," "small cavity" voice time to adapt to the More some of the problems can not be here So, back to fellow musicians who would like a word: I think there are two phenomena can not be ignored and neglected: First, the past century, Western music (the ideas, concepts, ideas, theories and even the terminology used) comprehensive coverage of our country; and then one of our music, "We own verse and music of ethnic relations", "Singing in the relationship between text and music," concerned about the lack of music, we learn the "culture" of the text are far less enthusiastic community school "" Is not it?
找期刊可以到佰腾科研导航站上去找，里面收录了国内外大部分权威的期刊和文献资料。
如果非要给SPIN杂志树立一个头衔，那就是“另类唱片的导航者”曾经在90年代的支持并倡导GRUNGE 文化的SPIN ， 始终高举摇滚乐的大旗。但是在新世纪，SPIN 也开始了一定的转变，2000年EMINEM拿走了SPIN 音乐大奖以及数位HIP-HOP艺人登上了SPIN 的封面标志着，杂志向流行文化靠拢。如今的SPIN 已经成为一个以摇滚乐为主的综合音乐杂志，其犀利的文笔和坚持如一的摇滚精神使其在FANS 心中占有一定的份。
《轻音乐欧西版》每月一号，各个方面都有所涉及包括流行摇滚，无盘。个人认为现在比以前做得有看头了，没有以前娱乐了，但也算是摇滚杂志里面最主流好买的。10块一本无盘。全彩。《摇滚》就是以前的通俗歌曲摇滚版，一直号称中国第一摇滚杂志。整本书基本上中西各半。一张cd,中西都有。基本上介绍的都是近期热门的乐队。8元。《我爱摇滚乐》，这本在摇滚之外，有许多很有意思的内容，对社会伦理的抨击嘲讽，对下层人民的同情怜悯，还有许多恶搞内容。cd主要是大陆原创乐队。黑白加彩页。8。《非音乐》介绍的乐队偏向独立流行。还有一些心情故事。有cd。20吧记不太清了。《口袋音乐》更偏向民谣，也有独立流行。一14左右吧记不清了。《重型音乐》顾名思义黑金，死金，歌金等重型金属。9左右。《极端音乐》介绍极端金属音乐也有黑金，死金，歌金，厄运可能还有碾核，激流，交响杂志。9左右。和上面的很想。《摩登天空》不晓得这本杂志到底现在还有没有，应该不错的，我没看过。不好说。《音像世界》这个比较杂，也好买。我真的不是很有概念。《CHAOS》这个是从武汉办出来的朋克杂志。十块一本。一般的网上买。《哥特时代》极端音乐的副刊。三期后停了。《音乐天堂》流行摇滚都有。小开本好像。2张碟貌似。CD+VCD,二十多，很久没关注了。网上的《灰尘周刊》，《泯然杂志》也是很有名的网络音乐摇滚杂志。一般都是网友投的歌。提供下载。
Rock Sound 尽管这个杂志在英国几乎家喻户晓，但是大部分的中国乐迷了解它还是因为去年台湾“闪灵乐团”大篇幅的登上了该杂志的专题与ROLLING STONE 不同，ROCKSOUND的内容主要以介绍音乐本身为主，其他的相关文化则设计很少，编辑们都很痴迷于写专业的乐评，尽管杂志名为ROCKSOUND ，但总体风格偏流行。
hit轻音乐！应该是这个！
hit轻音乐 口袋音乐 滚石好像也有中文版
武汉音乐学院的《黄钟》
女人世界
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美国最著名音乐杂志 《Billboard Magazine》《音乐学研究杂志》名古典音乐杂志《爱乐》《口袋音乐》《留声机》英国著名音乐杂志《Q》美国著名音乐杂志《滚石》Rolling Stone Music I Magazine《重型音乐》英国著名音乐杂志《Kerrang》
《轻音乐欧西版》每月一号，各个方面都有所涉及包括流行摇滚，无盘。个人认为现在比以前做得有看头了，没有以前娱乐了，但也算是摇滚杂志里面最主流好买的。10块一本无盘。全彩。《摇滚》就是以前的通俗歌曲摇滚版，一直号称中国第一摇滚杂志。整本书基本上中西各半。一张cd,中西都有。基本上介绍的都是近期热门的乐队。8元。《我爱摇滚乐》，这本在摇滚之外，有许多很有意思的内容，对社会伦理的抨击嘲讽，对下层人民的同情怜悯，还有许多恶搞内容。cd主要是大陆原创乐队。黑白加彩页。8。《非音乐》介绍的乐队偏向独立流行。还有一些心情故事。有cd。20吧记不太清了。《口袋音乐》更偏向民谣，也有独立流行。一14左右吧记不清了。《重型音乐》顾名思义黑金，死金，歌金等重型金属。9左右。《极端音乐》介绍极端金属音乐也有黑金，死金，歌金，厄运可能还有碾核，激流，交响杂志。9左右。和上面的很想。《摩登天空》不晓得这本杂志到底现在还有没有，应该不错的，我没看过。不好说。《音像世界》这个比较杂，也好买。我真的不是很有概念。《CHAOS》这个是从武汉办出来的朋克杂志。十块一本。一般的网上买。《哥特时代》极端音乐的副刊。三期后停了。《音乐天堂》流行摇滚都有。小开本好像。2张碟貌似。CD+VCD,二十多，很久没关注了。网上的《灰尘周刊》，《泯然杂志》也是很有名的网络音乐摇滚杂志。一般都是网友投的歌。提供下载。
音乐类核心期刊不算多却也不少，黄钟 音乐艺术音乐创作交响 这几个都是的。
Rock Sound 尽管这个杂志在英国几乎家喻户晓，但是大部分的中国乐迷了解它还是因为去年台湾“闪灵乐团”大篇幅的登上了该杂志的专题与ROLLING STONE 不同，ROCKSOUND的内容主要以介绍音乐本身为主，其他的相关文化则设计很少，编辑们都很痴迷于写专业的乐评，尽管杂志名为ROCKSOUND ，但总体风格偏流行。
如果非要给SPIN杂志树立一个头衔，那就是“另类唱片的导航者”曾经在90年代的支持并倡导GRUNGE 文化的SPIN ， 始终高举摇滚乐的大旗。但是在新世纪，SPIN 也开始了一定的转变，2000年EMINEM拿走了SPIN 音乐大奖以及数位HIP-HOP艺人登上了SPIN 的封面标志着，杂志向流行文化靠拢。如今的SPIN 已经成为一个以摇滚乐为主的综合音乐杂志，其犀利的文笔和坚持如一的摇滚精神使其在FANS 心中占有一定的份。