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描述创作灵感，表达的情感，运用的技巧等，还有作品的基础介绍，创作时间，名字，尺寸等
这幅画的名字叫 大概介绍一下画和含义字数不要太多 最好在100字左右
作品简介先介绍作者以及作者所处时代的背景再介绍作品的内容（不要太详细，简略说明就行。）再说一下作品所反映的社会现象或作者在作品里想表达的思想等最后再说一下你对这个作品的理解或认识
作品介绍肯定是不能使劲夸自己的，要让别人看到你作品的价值，不是靠作品介绍里面空口夸赞出来的。介绍内容一定要真诚，文体可以和作品风格相契合。把立志、知识及素质训练融为一体，注重自然科学和人文科学相交融，力求使读者感到有益、有用、有趣。开头可以用开篇点题的方法，从浅入深的介绍，从作品的表象尺寸、色彩到绘画技巧、绘画环境到作品情感和创作灵感
这个简单啊：1、作者：2、创作时间：3、作品名称：4、简介：为什么创作这个作品？创作灵感与感受是怎样？怎么才引起自己创作这个作品？创作这个作品的地方在哪里？装作过程中遇到哪些问题以及如何解决的？作品有哪些自己感觉非常有感觉、非常棒的地方？例如画的人物，就需介绍画中人物是谁？是怎么个人物状况？为什么画这个人物？这个人物哪些地方打动了我才引起我画这个人物？我如何找到这个模特？使用什么技法表现模特？为什么这么表现这个模特是为了表现什么样的效果。纯手打，描述创作灵感，表达的情感，运用的技巧等，还有作品的基础介绍，创作时间，名字，尺寸。作者名作者简介作品名作品简介作品材质作品大小作品完成时间这个简单啊：1、作者：2、创作时间：3、作品名zd称：4、简介：为什么创作这个作品？创作灵感与感受是怎样？怎么才引起自己创作这个作品？创作这个作品的地方在哪里？装作过程中遇到哪些问题以及如何解决的？作品有哪些自己感觉非常有感觉、非常棒的地方？例如画的人物，就需介绍画中人物是谁？是怎么个人物状况？为什回么画这个人物？这个人物哪些地方打动了我才引起我画这个人物？我如何找到这个模特？使用什么技答法表现模特？为什么这么表现这个模特是为了表现什么样的效果。、《欧叶妮格朗台》 作者 巴尔扎克 国籍 法国 时代 19世纪 作品类型 外国文学 作品评论 本篇是巴尔扎克讽刺作品中最生动最具活力的一部力作守财奴葛朗台的形象已变成财迷狂的一个丑恶表现金钱欲扑灭了葛朗台身上的一切人类的感情，他既不懂爱，也不知道自己亲手毁掉了女儿的幸福，小说批判了赤裸裸的金钱关系 2、《名利场》 作者 萨克雷 国籍 英国 时代 19世纪 作品类型 外国文学 作品简介： 作品着力反映西方资产阶级上层社会人际关系的而虞我诈、争权夺利、趋炎附势等丑恶的现象，揭露那种以金钱为本质的社会故事情节曲折，人物性格复杂而鲜明，作品读后给人以无尽的反思 3、《老人与海》 作者 海明威 国籍 美国 时代 20世纪 作品类型 外国文学 作品简介： 写一个孤独的老人单身出海捕鱼，与大鱼周旋，将它捕获结果又被大鲨鱼吃 掉猎物，单身上岸的惊险故事歌颂了人面对失败仍顽强拼搏，绝不屈服的意志海明威因 此获普利策奖与诺贝尔奖 4、《廊桥遗梦》 作者 JR沃勒 国籍 不详 时代 不详 作品类型 外国文学 作品简介： 与其同名的影片让千百万痴男信女为之流泪，罗伯特？金特，与玛丽安离婚后以摄影为爱好，也是生活基础朗四斯卡，六十七岁的妇人罗伯特在游历中看到她，然后去了一封信“不论怎样，我们必须再见面，不管是何时何地” 5、《简爱》 作者 夏洛特勃良特 国籍 英国 时代 19世纪 作品类型 外国文学 作品简介： 简？爱是个孤女，出生于一个穷牧师家庭父母由于染上伤寒，在一个月之中相继去世幼小的简寄养在舅父母家里舅父里德先生去世后，简过了10年受尽歧视和虐待的生活一次，由于反抗表哥的殴打，简被关进了红房子肉体上的痛苦和心灵上的屈辱和恐惧，使她大病了一场 ？舅母把她视作眼中钉，并把她和自己的孩子隔离开来，从此，她与舅母的对抗更加公开和坚决了以后，简被送进了罗沃德孤儿院 ？孤儿院教规严厉，生活艰苦，院长是个冷酷的伪君子简在孤儿院继续受到精神和肉体上的摧残由于恶劣的生活条件，孤儿院经常有孩子病死简毕业后留校任教两年，这时，她的好友海伦患肺病去世简厌倦了孤儿院里的生活，登广告谋求家庭教师的职业 ？桑恩费尔德庄园的女管家聘用了她庄园的男主人罗契斯特经常在外旅行，偌大的宅第只有一个不到10岁的女孩阿戴列？瓦朗，罗契斯特是她的保护人，她就是简的学生一天黄昏，简外出散步，邂逅刚从国外归来的主人，这是他们第一次见面以后她发现她的主人是个性格忧郁、喜怒无常的人，对她的态度时好时坏整幢房子沉郁空旷，有时还会听到一种令人毛骨悚然的奇怪笑声相关概念孤儿院《孤儿院》是由胡安·安东尼奥·巴亚纳导演，贝兰·鲁达、费尔南多·卡约等主演的电影。孤儿院这一名称是指在抗日战争时期由宋庆龄创建的孤儿收养机构，也称“育婴堂”。解放前，国民政府、外国教会等举办的收养社会遗弃婴儿的慈善机构。新中国成立后，由人民政府接收并改建为儿童教养院和儿童福利院。外国文学外国文学是指除中国文学以外的世界各国文学。世界文学源远流长，绚丽多姿。早在几千年以前，在人类文明的发祥地就已经孕育出了人类最初的文学瑰宝。在而后的岁月里，东西方许多民族都出现过杰出的文学大师和众多的名家名著。人们热爱和珍视这些作家及其作品，是因为优秀的文学作品体现了人类对客观世界的认识，显示了人类成长的精神轨迹，并给世世代代的人们以审美的愉悦。外国文学是中文核心期刊、CSSCI源刊，以刊登世界各国不同流派的重要作家和作品与重要学术研究成果为主，通过各种栏目向读者介绍不同类型的新作、当代西方的新文论与前沿学术成果。
《包装与设计》 ￥25 （最早、最权威的设计专业期刊之一，内容以包装设计和平面设计为主，每期均有大量国内外精彩设计作品的创意分析、重大设计活动的相关报道和参赛信息等内容。一直致力于推进中国的包装和设计文化的发展，促进设计文化、经营文化和消费文化的的融合，介绍国内和国际的包装设计的最新趋势和包装技术的信息，成为联系国内外设计师和企业家的桥梁，同时也为设计教育提供丰富的资料和交流园地。）《艺术与设计》 ￥25 （以艺术的角度报道国内和国际设计和流行趋势，介绍艺术大师的最新作品和创作经历，同时包容各种流行设计门类，如互动媒体、影像、展示、产品等广泛领域的前沿视觉文化。）《Design产品设计》￥25 （《Design产品设计》坚持服务于中国产品设计界，以设计师、企业研发人员、企业管理人员、设计艺术爱好者为主要读者对象，是中国第一本面向具有设计品位与设计追求的专业杂志。她的读者有着良好文化和艺术熏陶背景，并对生活的品位和品质有较高追求的人。他们对世界上各种富有创意的新鲜事物都抱有浓厚的兴趣，无论是生活还是工作都追求创新与品质。）《Design 360˚》 ￥25 （《Design 360˚》杂志以国际视角，收集世界各地最新设计资讯，展示主流设计风潮，发掘新锐设计力量，涉及平面设计、产品设计、建筑设计、服装设计、室内设计、数码设计等多个设计艺术领域内容，以介绍世界各地的先进设计观念、设计公司、设计师、成功的设计案例、国际设计界动态以及国际设计院校为主，旨在搭建一个当代设计师的舞台，向业内人士提供一个学术交流的平台，促进全球设计师、设计机构之间的互动与文化交流。 ）《CG数码艺术》 ￥20（《Computer Arts数码艺术》杂志的始终目标是关注和推动国内数字创作领域的发展。对于拥有世界上任何一个国家和地区都无法比肩的数目庞大的计算机图形、图像爱好者的中国，《数码艺术》Computer Arts国际中文版杂志具有的读者基础。）另外还有《画廊>>这本书比较全面的介绍当代的艺术．纯艺类的不含设计．每两月一期．中国知网上的美术杂志也很丰富：希望我的回答能给你带来帮助
回答 ①《新美术》：新美术贯彻党的二为方向和双百方针，坚持社会主义文艺路线。致力于将艺术史研究纳入文学科之中，使之成为人文学科的重要组成部分。 ②《装饰》：《装饰》是由中华人民共和国教育部主管，清华大学主办，清华大学美术学院承办的工艺美术综合性学术刊物。 ③《美术研究》：《美术研究》创刊于1957年，双月刊，是由中华人民共和国教育部主管、中央美术学院主办的学术性期刊。 ④《美术观察》：《美术观察》是立足“大美术”概念的大型综合性美术月刊。发表美术创作和美术史研究方面的成果,介绍当代艺术家及作品。读者对象为美术家、美术院校师生、美术研究工作者及业余爱好看。 ①《新美术》：新美术贯彻党的二为方向和双百方针，坚持社会主义文艺路线。致力于将艺术史研究纳入文学科之中，使之成为人文学科的重要组成部分。 ②《装饰》：《装饰》是由中华人民共和国教育部主管，清华大学主办，清华大学美术学院承办的工艺美术综合性学术刊物。 ③《美术研究》：《美术研究》创刊于1957年，双月刊，是由中华人民共和国教育部主管、中央美术学院主办的学术性期刊。 ④《美术观察》：《美术观察》是立足“大美术”概念的大型综合性美术月刊。发表美术创作和美术史研究方面的成果,介绍当代艺术家及作品。读者对象为美术家、美术院校师生、美术研究工作者及业余爱好看。 更多6条
有一本杂志叫美术界还可以。
首先你要会说英语，还有你被介绍的对象能听懂英语，然后再按照被介绍的美术作品的特征，它的美，它的艺术价值，它的创作作者，用英语表达方式给你的听众。
LogoA logo is a graphical element (ideogram, symbol, emblem, icon, sign) that, together with its logotype (a uniquely set and arranged typeface) form a trademark or commercial Typically, a logo's design is for immediate The logo is one aspect of a company's commercial brand, or economic or academic entity, and its shapes, colors, fonts, and images usually are different from others in a similar Logos are also used to identify organizations and other non-commercial Logos todayToday there are many corporations, products, brands, services, agencies and other entities using an ideogram (sign, icon) or an emblem (symbol) or a combination of sign and emblem as a As a result, only a few of the thousands of ideograms people see are recognized without a It is sensible to use an ideogram as a logo, even with the name, if people will not duly identify Currently, the usage of both images (ideograms) and the company name (logotype) to emphasize the name instead of the supporting graphic portion and making it unique, by it non-formulaic construction via the desiginal use of its letters, colors and any additional graphic Ideograms (icons, signs, emblems) may be more effective than a written name (logotype), especially for logos being translated into many alphabets; for instance, a name in the Arabic language would be of little help in most European An ideogram would keep the general proprietary nature of the product in both In non-profit areas, the Red Cross (which goes by Red Crescent in Muslim countries) is an example of an extremely well known emblem which does not need an accompanying Branding aims to facilitate cross-language The Coca-Cola logo can be identified in any language because of the standard color and the well known "ribbon wave" Some countries have logos, Spain, Italy, Turkey and The Islands of The Bahamas, that identify them in marketing their country solely for tourism Such logos often are used by countries whose tourism sector makes up a large portion of their ColorColor is considered important to brand recognition, but it should not be an integral component to the logo design, which could conflict with its Some colors are formed/associated with certain emotions that the designer wants to For instance loud primary colors, such as red, are meant to attract the attention of drivers on highways are appropriate for companies that require such In the United States red, white, and blue are often used in logos for companies that want to project patriotic Green is often associated with the health and hygiene sector, and light blue or silver is often used to reflect diet For other brands, more subdued tones and lower saturation can communicate reliability, quality, relaxation, or other Dynamic logosIn 1898, French motor tyre manufacturer, Michelin, introduced the Michelin Man, a cartoon figure who was presented in many different ways, such as eating, drinking, and playing By the early 21st century, other large corporations such as MTV, Google, Morton Salt and Saks Fifth Avenue had also adopted dynamic logos, that change over time and from setting to settingLogo designA logotype for a fictitious entity: Narrow color range and recognizable Logo design is an important area of graphic design, and one of the most difficult to The logo (ideogram), is the image embodying an Because logos are meant to represent companies' brands or corporate identities and foster their immediate customer recognition, it is counterproductive to frequently redesign ExamplesDue to the design, the color, the shape, and eventually additional elements of the logotype, each one can easily be differentiated from other For example, a box of Kellogg's cereals will be easily recognized in a supermarket's shelf from a certain distance, due to its unique typography and distinctive red The same will be true when one is at the airport looking for the booth of the Hertz Rent-A-Car The logotype will be recognized from afar because of its shape and its yellow Some well-known logos include Apple I's apple with a bite missing, which started out as a rainbow of color, and has been reduced to a single color without any loss of Coca Cola's script is known worldwide, but is best associated with the color red; its main competitor, Pepsi has taken the color blue, although they have abandoned their script IBM, also known as "Big Blue" has simplified their logo over the years, and their What started as International Business Machines is now just "IBM" and the color blue has been a signature in their unifying campaign as they have moved to become an IT services There are some other logos that must be mentioned when evaluating what the mark means to the Automotive brands can be summed up simply with their corporate logo- from the Chevrolet "Bow Tie" mark to the circle marks of Volkswagen, Mercedes-Benz and BMW, to the interlocking "RR" of Rolls-Royce each has stood for a brand, and clearly differentiated the product Other logos that are recognized globally: the Nike "Swoosh" and the Adidas "Three stripes" are two well-known brands that are defined by their corporate When Phil Knight started Nike, he was hoping to find a mark as recognizable as the Adidas stripes, which also provided reinforcement to the He hired a young student (Carolyn Davidson) to design his logo, paying her $35 for what has become one of the best known marks in the world (she was later compensated again by the company) [3]Another logo of global renown is that of Playboy E Playboy magazine claims it once received a letter at its Chicago, Illinois offices with its distinctive "bunny" logo as the only identifying mark, appearing where the mailing address normally Corporate identities are often developed by large firms who specialize in this type of However, Paul Rand is considered the father of corporate identity and his work has been seminal in launching this Some famous examples of his work were the UPS package with a string (replaced in March 2003) IBM, and NeXT CAn interesting case is the refinement of the FedEx logo, where the brand consultants convinced the company to shorten their corporate name and logo from "Federal Express" to the popular abbreviation "Fed Ex" Besides creating a shorter brand name, they reduced the amount of color used on vehicles (planes, trucks) and saved hundreds of thousands of dollars in paint Also, the right-pointing arrow in the new logo is a subliminal hint of [edit] Logos in subvertisingSee also: Culture jamming and Guerrilla communicationThe wide recognition received by the most famous logos provides the brand's critics with the possibility of meme-hacking, a process also known as subvertising, turning the marketing message carried by the logo (either in its pristine form, or subtly altered) into a vehicle for an alternative message, frequently highly critical to the brand in An example is the AdBusters' corporate flag, a US flag with the stars replaced by major corporate Virtually all distinctive design elements related to brands or logos can become subjects to The best-known organizations subverting established logos and brands are ®™ark and AdBBrand extensionBrand extension or brand stretching is a marketing strategy in which a firm marketing a product with a well-developed image uses the same brand name in a different product Organizations use this strategy to increase and leverage brand equity (definition: the net worth and long-term sustainability just from the renowned name) An example of a brand extension is Jello-gelatin creating Jello pudding It increases awareness of the brand name and increases profitability from offerings in more than one product A brand's "extendibility" depends on how strong consumer's associations are to the brand's values and Ralph Lauren's Polo brand successfully extended from clothing to home furnishings such as bedding and Both clothing and bedding are made of linen and fulfill a similar consumer function of comfort and Arm & Hammer leveraged its brand equity from basic baking soda into the oral care and laundry care By emphasizing its key attributes, the cleaning and deodorizing properties of its core product, Arm & Hammer was able to leverage those attributes into new categories with Another example is Virgin Group, which was initially a record label that has extended its brand successfully many times; from transportation (aeroplanes, trains) to games stores and video stores such a Virgin MIn 1990s, 81% of new products used brand extension to introduce new brands and to create [1] Launching a new product, is not only time consuming but also needs a big budget to create awareness and to promote a product's [2] Brand extension is one of the new product development strategies which can reduce financial risk by using the parent brand name to enhance consumers' perception due to the core brand [3][4]While there can be significant benefits in brand extension strategies, there can also be significant risks, resulting in a diluted or severely damaged brand Poor choices for brand extension may dilute and deteriorate the core brand and damage the brand [5][6] Most of the literature focuses on the consumer evaluation and positive impact on parent In practical cases, the failures of brand extension are at higher rate than the Some studies show that negative impact may dilute brand image and [7][8] In spite of the positive impact of brand extension, negative association and wrong communication strategy do harm to the parent brand even brand [9]Product extensions are versions of the same parent product that serve a segment of the target market and increase the variety of an An example of a product extension is Coke Diet Coke in same product category of soft This tactic is undertaken due to the brand loyalty and brand awareness they enjoy consumers are more likely to buy a new product that has a tried and trusted brand name on This means the market is catered for as they are receiving a product from a brand they trust and Coca Cola is catered for as they can increase their product portfolio and they have a larger hold over the market in which they are performing Types of product extensionBrand extension research mainly focuses on the consumer evaluation of extension and attitude of the parent Following the Aaker and Keller’s (1990) model, they provide a sufficient depth and breadth proposition to examine consumer behaviour and conceptual They use three dimensions to measure the fit of First of all, the “Complement” is that consumer takes two product (extension and parent brand product) classes as complement to satisfy their specific [10] Secondly, the “Substitute” indicates two products have same user situation and satisfy their same needs which means the products class is very similar so that can replace each At last, the “Transfer” is the relationship between extension product and manufacturer which “reflects the perceived ability of any firm operating in the first product class to make a product in the second class”[11] The first two measures focus on the consumer’s demand and the last one focuses on firm’s From the line extension to brand extension, however, there are many different way of extension such as "brand alliance",[12] co-branding[13] or “brand franchise extension”[14]Tauber (1988) suggests seven strategies to identify extension cases such as product with parent brand’s benefit, same product with different price or quality, In his suggestion, it can be classified into two category of extension; extension of product-related association and non-product related [15] Another form of brand extension, is a licensed brand Where the brand-owner partners (sometimes with a competitor) who takes on the responsibility of manufacturer and sales of the new products, paying a royalty every time a product is [edit] Categorisation theoryResearchers tend to use “categorisation theory” as their fundamental theory to explore the links about the brand [16][17] When consumers face thousands of products, they not only are initially confused and disorderly in mind, but also try to categorise the brand association or image with their existing When two or more products exit in front of consumers, they might reposition memories to frame a brand image and concept toward new A consumer can judge or evaluate the extension by their category They categorise new information into specific brand or product class label and store [18][19] This process is not only related to consumer’s experience and knowledge, but also involvement and choice of [20] If the brand association is highly related to extension, consumer can perceive the fit among brand Some studies suggest that consumer may ignore or overcome the dissonance from extension especially flagship product which means the low perceived of fit does not dilute the flagship’s [21][22][edit] Brand extension failureLiterature related to negative effect of brand extension is limited and the findings are revealed as The early works of Aaker and Keller (1990) find no significant evidence that brand name can be diluted by unsuccessful brand [23] Conversely, Loken and Roedder-John (1993) indicate that dilution effect do occur when the extension across inconsistency of product category and brand The failure of extension may come from difficulty of connecting with parent brand, a lack of similarity and familiarity and inconsistent IMC “Equity of an integrated oriented brand can be diluted significantly from both functional and non-functional attributes-base variables”, which means dilution does occur across the brand extension to the parent [24] These failures of extension make consumers create a negative or new association relate to parent brand even brand family or to disturb and confuse the original brand identity and [25]In addition, Martinez and de Chernatony (2004)[26] classify the brand image in two types: the general brand image and the product brand They suggest that if the brand name is strong enough as Nike or Sony, the negative impact has no specific damage on general brand image and “the dilution effect is greater on product brand image than on general brand image” In consequence, consumer may maintain their belief about the attributes and feelings from parent On the other hand, their study shows that “brand extension dilutes the brand image, changing the beliefs and association in consumers’ mind”The flagship product is a money-spinner to a Marketer spends budget and time to create maximum exposure and awareness for the Theoretically speaking, flagship product is usually had the top sales and highest awareness in its product In spite of Aaker and Keller’s (1990) research reported that the prestige brand do no harm from failure of Evidence shows that the dilution effect has great and instant damage to the flagship product and brand But in some findings, even overall parent belief is diluted; the flagship product would not be In addition, brand extension is also “diminish consumer’s feelings and beliefs about brand ”[27] To establish a strong brand, it is necessary to build up a “brand ladder”[28]Marketers may go behind the order and model created by Aaker[29] and Keller[30] which they are authorities on brand But branding is not following a rational One mistake can damage all brand In practical issue, a classic extension failure example, such as huge company like Coke Cola launching the “New Coke” in 1985, has conflict the consumer’s [31] Although the early acceptance pervades in the beverage market, the backlash of “New Coke” sooner emerges among Then the extension strategy creates a negative impact to parent Not only did not success in developing new brand but also decrease the original flavour’s The Coke Cola pay a lot effort to regain the customer back who turns to Pepsi This is a classic example of negative effect on extension Although there are few works about the failure of extensions, literature still provides sufficient in depth research around this Studies also suggest that brand extension is a risky strategy to increase sales or brand It should consider the damage of parent brand no matter what types of extension are [32] E BIC Pens tried to produce BIC You can read some more here [33]还有需要，我再补充
work introduction;story outline ;post-reading comments
可以根据绘画作品的风格选定介绍的风格走向，比如作品是清新风的，介绍的风格走向就是文艺。介绍的文体则根据绘画作品的内容，推荐现代诗歌或者抒情小段、短句。作品介绍的内容需要符合作品所要表达的信息，这个比较简单了，只要参考作品的主题就好。如果实在没有灵感，可以上网参考一些好的段落然后加以修改。如果引用一些诗句也不错，当然要弄清楚这首诗表达的感情等等。
回答 创意说明写作技巧: 作品名称、作品所用材料、造价、用途等等信息,一篇室内设计需要注明:设计公司、设计师、项目面积、工程造价、装饰材料等信息; 根据自己的想法和前面的对完成作品的一些想法等情况,描述一下作品设计过程的一些简单过程和故事 更多3条
大概就是介绍一下你这个作品的构思,还有你想表达给观者的想法,或者是它有没有代表着特别的意义,美术的东西通常都是要观众自己去体会作品的内容,所以身为作者不必写太多只要点出重点就好了)) 查看原帖>>
作品说明写作注意以下几点：①语言应通俗易懂；②实事求是，不可夸大；③对 说明的事物不仅要介绍优点，而且要说清楚应注意的事项或可能产生的问题；④可在正文前加上标题。语言应该规范、连贯、简洁、平实、得体。所谓规范，包含：①语言通顺，合乎汉语语言习惯；②用字规范，不写错字、别字、繁体字，不用废止的 异体字，不生造简化字。思路清楚，复句内部句与句之间、句群内部都有紧密联系，上下衔接，前后呼应，句意贯通 。所谓简洁，指简明扼要，言简意赅。特别注意不要使用难懂的某些文言词语。
这个简单啊：1、作者：2、创作时间：3、作品名称：4、简介：为什么创作这个作品？创作灵感与感受是怎样？怎么才引起自己创作这个作品？创作这个作品的地方在哪里？装作过程中遇到哪些问题以及如何解决的？作品有哪些自己感觉非常有感觉、非常棒的地方？例如画的人物，就需介绍画中人物是谁？是怎么个人物状况？为什么画这个人物？这个人物哪些地方打动了我才引起我画这个人物？我如何找到这个模特？使用什么技法表现模特？为什么这么表现这个模特是为了表现什么样的效果。纯手打，望采纳。
描述创作灵感，表达的情感，运用的技巧等，还有作品的基础介绍，创作时间，名字，尺寸等
人的。这作品发表出版还得给稿费呢，哪能给它钱？