关于艺术的论文2000字开头英文

1、Beijing Opera translation: a great taskIn recent years, more and more foreign dramas and operas are being performed in Chinese However, it seems that chances for foreign audience to enjoy Chinese traditional operas are relatively fewer, resulting in an unbalanced exchange between China and the other foreign countries in the Beijing Opera, the very repress introduced to more audience of Chinese traditional operas, worth being of the entire M Elizabeth Wichmann-Walczak's version of Mei Lanfang's representative Beijing Opera work The Phoenix Returns to Its Nest sets a good 2、A brief introduction to Beijing OperaBeijing Opera (or Peking Opera) has existed for over 200 It is widely regarded as the highest expression of Chinese It is known as one of the three main theatrical systems in the Artistically, Beijing Opera is perhaps the most refined form of opera in the It has deeply influenced the hearts of the Chinese Although it is called Beijing Opera, its origins are not in Beijing but in the Chinese provinces of Anhui and H After absorbing the operatic tunes of regional operas such as Han Opera, Hui Opera, and Kunqu Opera, it became a genre of national significance and popularity during the 1790' The charm of Beijing Opera lies in the comprehensive form of stage It is an organic combination of script literature, the performing techniques of "singing, reciting, dance-acting and acrobatics", music, painted-face make-ups and costumes, and so 3、Beijing Opera translationThe early attempts to bring Chinese drama to the West mainly consisted in translation of traditional Chinese opera lyrics, which served as literature for the purpose of reading rather than These include Xi Xiang Ii and a great number of other Yuan dynasty In 1741, Zhao Shi Gu Er, or as Edward Cave rendered it, Chau Shi Ku Eul: The Little Orphan of the Family of Chau, was translated into E Three English versions' of this play were published in London, translated respectively by Edward Cave, William Hatchett and John W Among the modern classics in Chinese modern drama translated into English were Cao Yu's Thundestorm by Wang Tso-Bang and AC Barnes and Wildness by James L Since the late 1970s, many new Chinese plays have been collected in anthologies of translations of contemporary Chinese 4、In this period, Peking opera became the most popular and economically developed form of urban stage entertainment in China and its actors, playwrights, and patrons were central figures in the popular imagination and cultural politics of the As a diverse group these actors and their allies worked within the context of a rapidly changing urban and national culture to overcome social and political discrimination and elevate their art to the level of internationally recognized cultural In the process, Peking opera was in many ways on the leading edge of modern transformations and experimentations in creating new meanings for popular theater, new dynamics of urban sociability, and new representations of gender, while at the same time serving as a symbol for a traditional culture that many sensed was receding under the pressures of

大四上半学期，期末十一月份就开始开题，然后放寒假的时候可以开始写，不然下半年面临毕业琐碎的事情很多，最好在寒假时候能写好，开学的时候再慢慢修改。封面：使用学校统一格式，题目居中，学号等内容靠左侧对齐，后面的下画线要整齐。。题目要对论文(设计)的内容有高度的概括性，简明、易读，字数应在20以内。论文题目 :黑体三号，居中。下面空一行。中文摘要：“摘要：“顶头，黑体四号，后面内容采用宋体小四号，摘要应简要说明毕业论文(设计)所研究的内容、目的、实验方法、主要成果和特色，一般为150-300字。下面空一行中文关键词：“关键词：“顶头，黑体四号，后面内容采用宋体小四号，关键词一般3-5个，以”，“号隔开，最后一个关键词尾不加标点符号，下面空两行。英文论文题目：所有英文采用“Times New roman”字体，黑体三号，加粗，居中。下面空一行。英文摘要和关键词：英文摘要和关键词除字体外同中文摘要和关键词的格式要求，但：“Abstract:”和“Key words：”要加粗。内容翻译要准确，英文摘要的词汇和语法必须准确。注意：如果内容教多，可以将英文题目、摘要、关键词放到下页。目录:“目录”两字为黑体3号，居中，下面空一行。第一层次标题“一、”顶头，黑体、小四号，第二层次缩进一字，宋体，小四号，第三层次再缩进一字，宋体，小四号……，页码加小括号，页码前为连续的点，垂直居中。如果采用“1”、“1、1”、“1、1、1”的形式，则每层缩进半字。正文:正文采用宋体，小四号，每段开头空两字，要符合一般学术论文的写作规范，文理科毕业论文字数一般不少于6000字，工科、艺术类专业毕业设计字数视专业情况而定。论文应文字流畅，语言准确，层次清晰，论点清楚，论据准确，论证完整、严密，有独立的观点和见解，应具备学术性、科学性和一定的创新性。参考文献:参考文献按在正文中出现的先后次序列表于文后;

好不容易上完四年大学，最后写论文了还得让别人写！~唉自己反省吧

The Art of China　　Reseached by Cynthia　　Have you ever seen paper decorating ladies hair? Well, China has an art form called papercuts that does just Chinese civilization began more than 4000 years The earliest art forms would use rock and stone for art because they didn’t know to use metal Later there was the Bronze Age, Stone Age, Neolithic or New Stone A There were many different dynasties like the T’ang Dynasty, Zhou Dynasty, and the Qin Dynasty were a few 　　Influence　　Chinese arts are influenced by three major religions: Confucianism, Taoism, and B Another major influence was The three major kinds of subject they liked to paint were birds, flowers, and landscapes from the All the religions stress love for All landscape painters tried to get a feeling of the human spirit and the strength of the wind, water, mist and Painting became an art form more than 2000 years ago then influenced the later 　　Art Forms　　Chinese arts come in many different forms such as: painting, folk arts, silk, calligraphy, pottery, sculpture, metal arts and Chinese papercuts were created around the first century in AD The Chinese invented paper, which was very important for It first started in the Tang D People then would hang them up to decorate windows, houses, clothes and even ladies In these thin and fragile papercuts, they would create animals, aerobics, Buddha, opera faces and other 　　Sculptures were made of many different materials: stone, jade, lacquer, wood, metal, clay, They weren’t only for admiring but they were used as everyday items like a wine bucket, mirrors, pottery, and A famous example is the sculptures of the Terra cotta They were buried with the body of an emperor to protect the emperor in his 　　Paintings became an art form more than 2000 years The Chinese painted emperors, landscape and zodiac animals, flowers, ladies, and Chinese have three thousand years of history of painting starting from 600 AD T’ang dynasty to the 20th century　　Process and Material　　The Chinese used many materials such as medal, bronze, lacquer, jade, clay, silk, and They made the most flexible of material… Chinese people used jade to make mirrors and clay and stone to make pottery and At a ceremony they would use bronze to make wine vessels in animal The process of a statue in a human figure is molded The front and back has to be made Then the two sides would be put 　　Subject and Style　　Chinese arts cover a very broad range of In papercuts they like to cut Buddhas, opera faces, animals, flowers, children, and Sometimes in their painting they would use black and white, having one object with each One of their favorite subjects was They believed that the spirit of nature gives life to everything, so if painting nature the painter must capture the feeling of Zodiac animals, landscapes, opera faces, figure painting, mountains, and cranes, which were a symbol for long life, were popular subjects for their Emperors and their court was an another important subject for 　　Chinese art began more than 4000 years We still appreciate the hard work artists did back We visit the museum to look at the magnificent artwork done long The Chinese culture hasn’t changed much, but their art is prized in museums around the 　　艺术中国　　Reseached by Cynthia reseached由辛西娅　　Have you ever seen paper decorating ladies hair? 你见过纸装点女士们的头发？ Well, China has an art form called papercuts that does just 那么，中国有一种艺术形式，所谓papercuts但这只是。 Chinese civilization began more than 4000 years 中华文明始于4000多年前。 The earliest art forms would use rock and stone for art because they didn’t know to use metal 最早的艺术形式，将利用岩石和石头艺术，因为他们不知道使用金属。 Later there was the Bronze Age, Stone Age, Neolithic or New Stone A 后来有青铜器时代，石器时代 ， 新石器时代或新的石器时代。 There were many different dynasties like the T’ang Dynasty, Zhou Dynasty, and the Qin Dynasty were a few 有很多不同的朝代，如唐朝，周人，秦人的几个朝代。　　Influence 影响力　　Chinese arts are influenced by three major religions: Confucianism, Taoism, and B 中国艺术受到三大宗教：儒教，道教和佛教。 Another major influence was 另一个重大影响是本质。 The three major kinds of subject they liked to paint were birds, flowers, and landscapes from the 三大各类主体，他们喜欢把油漆的鸟类，花卉和景观，从乡下。 All the religions stress love for 各教应力热爱大自然。 All landscape painters tried to get a feeling of the human spirit and the strength of the wind, water, mist and 所有山水画尝试的一种感觉，人的精神和力量的风，水，薄雾和山区。 Painting became an art form more than 2000 years ago then influenced the later 绘画成为一种艺术形式，两千多年前的影响，那么，后来的画家。　　Art Forms 艺术形式　　Chinese arts come in many different forms such as: painting, folk arts, silk, calligraphy, pottery, sculpture, metal arts and 中国艺术来，在许多不同的形式，如：绘画，民间艺术，丝绸，书法，陶艺，雕塑，金属艺术和papercuts 。 Chinese papercuts were created around the first century in AD The Chinese invented paper, which was very important for 中文papercuts创造了大约一世纪，在专案，中国发明了纸，这是很重要的papercuts 。 It first started in the Tang D 它首先发端于唐代。 People then would hang them up to decorate windows, houses, clothes and even ladies 于是人们将挂在了装饰窗户，房子 ， 衣服 ， 甚至是女士们的头发。 In these thin and fragile papercuts, they would create animals, aerobics, Buddha, opera faces and other 在这些薄和脆弱papercuts ，会造成动物，健美操，佛像，戏曲面临着与其它学科。　　Sculptures were made of many different materials: stone, jade, lacquer, wood, metal, clay, They weren’t only for admiring but they were used as everyday items like a wine bucket, mirrors, pottery, and 雕塑作了许多不同的材料：石器，玉器，漆器，木，金属，粘土等，他们不但为钦佩，但他们被用来作为日常的项目，如葡萄酒水桶，镜子，陶器及锦旗。 A famous example is the sculptures of the Terra cotta 一个著名的例子是雕塑的兵马俑。 They were buried with the body of an emperor to protect the emperor in his 他们被埋葬与身体的是一个皇帝，以保护皇帝，在他的来世。　　Paintings became an art form more than 2000 years 绘画成为一种艺术形式，两千多年前。 The Chinese painted emperors, landscape and zodiac animals, flowers, ladies, and 中国画的皇帝，景观和生肖，花卉，女士们，和鸟。 Chinese have three thousand years of history of painting starting from 600 AD T’ang dynasty to the 20 th century 中国有三千年的历史，绘画出发，从600专案唐代到20世纪　　Process and Material 工艺和材料　　The Chinese used many materials such as medal, bronze, lacquer, jade, clay, silk, and 中国人使用了许多材料，如勋章，铜，漆器，玉器，陶土，丝绸和布匹。 They made the most flexible of material… 他们作出了最灵活的材料…文件。 Chinese people used jade to make mirrors and clay and stone to make pottery and 中国人用玉，使镜子和粘土和石料，使陶器和雕像。 At a ceremony they would use bronze to make wine vessels in animal 在一项仪式中，他们会用青铜作酒器在动物形状。 The process of a statue in a human figure is molded 过程中的一尊塑像，在一个人的数字是模铸分开。 The front and back has to be made 正面与背面有需要作出分裂。 Then the two sides would be put 届时，双方将放在一起。　　Subject and Style 主题和风格　　Chinese arts cover a very broad range of 中国艺术涵盖的范围十分广泛的学科。 In papercuts they like to cut Buddhas, opera faces, animals, flowers, children, and 在papercuts他们想削减佛像，歌剧的面孔，动物，花卉，儿童和健美操。 Sometimes in their painting they would use black and white, having one object with each 有时是在他们的画，他们会用黑色和白色，有一物体，每种颜色。 One of their favorite subjects was 其中他们最喜欢的科目是自然。 They believed that the spirit of nature gives life to everything, so if painting nature the painter must capture the feeling of 他们认为，这一精神是大自然赋予生命的一切，所以，如果画大自然，画家必须捕捉感觉的性质。 Zodiac animals, landscapes, opera faces, figure painting, mountains, and cranes, which were a symbol for long life, were popular subjects for their 生肖，山水，戏曲的面孔，人物画，山，和起重机，这是一个象征，长寿，很受科目为自己的画作。 Emperors and their court was an another important subject for 皇帝和他们的法院是另一个重要课题，绘画。　　Chinese art began more than 4000 years 中国艺术始于4000多年前。 We still appreciate the hard work artists did back 我们仍然感谢辛勤工作的艺术家也不会回来了。 We visit the museum to look at the magnificent artwork done long 我们参观博物馆，看宏伟的艺术品做不久。 The Chinese culture hasn’t changed much, but their art is prized in museums around the 中国文化并没有多大改变，但他们的艺术是珍贵的，在世界各地博物馆中。　　（后面是一句英文一句翻译，5分钟要看自己的语速，适当截取）加油！！！

绘画与设计关系的几点思考 内容摘要:文章通过分析绘画与设计的使命、特点、异同与发展等,客观、深刻、科学地阐述了两者的关系。 关 键 词:绘画 设计 使命 关系 画家与设计师有时会引发一些争议。有的认为,绘画与设计同属美术,只要有绘画功夫,搞设计是不成问题的;而另一种观点是:仅仅靠绘画的功底去从事设计是远远不够的。因此,有必要认真思考绘画与设计两者的使命,理清它们之间的种种关系,这对艺术设计教育与实践等具有建设性意义。 一、 绘画与设计的特点、使命、区分 绘画与设计虽然同属创造性活动,但具有各自的特点和使命。 具体说来,绘画具有被观赏的特征,反映的是思想意识、精神生活、情感宣泄和美感体现等,因此,绘画是非物质、非功利、非实用主义的。创新是绘画的生命,并且通过个性化体现来实现,古今中外每一位杰出的绘画大师都创作过极为个性化的作品,展现了自己的典型风格和特征。画家们(尤其是现代派画家),为了表现出作品的生命力,根据自己的愿望,在技能、材质与工具的应用上随心所欲,可以完全不考虑其作品被不被人理解、欣赏、接纳或认可。在这方面,凡·高是一位典型的大师,他创造了大量极作,但在当时未能被人们广泛接受。 而设计具有鲜明的实用价值,设计的产生、发展是与商业行为结伴而来的,是随着商品经济的激烈竞争而出现的。设计体现的是多层次的理性思考,是在设计理念和功能体现的前题下,通过科学技术、材料、工艺、机械加工等工业化的生产综合水平,生产出各类产品,最终满足全社会消费者生存所必不可少的物质需求与精神需求。因此,设计是物质性、功利性和实用性的,是不能完全凭感觉去完成的,而更需要接受和服从广大的消费者的消费需求、文化品位与生活习惯。例如,各类电器从设计到生产,再从市场到消费者的使用,整个过程体现了设计需要考虑各种因素如设计、策划、市场、消费、生产、成本、企业文化、品牌、设计思潮、设计风格和流行趋势等问题,寻找最佳的表达方法,把设计师的构想变成消费者能够接受和采纳的现实。 二、绘画与设计的异同 绘画与设计属于美术两大分支,它们之间有着相同之处,都是属于创造性活动,但也有本质的区别,二者之间的关系属于两个不同性质行业之间的关系,具体体现在以下几个方面。 首先,绘画与设计在工艺制作和实现方式上存在着区别。绘画虽然是一门艺术,但整个绘画作品的产生和制作过程是属于纯手工艺的,观者看到画面上的点、线、面、体和真实的肌理或质感,都是画家手工制作的,因此,绘画中手工操作的技术含量占重要比例。完成一幅绘画作品实际上是完成一种思维过程,即通过某种技法去实现某种意念,那么,怎样才能使这种思维的实现成为可能?在这里技术所包含的材料、技巧等起到了决定性的作用。例如,油画是通过以油为结合剂的油性颜料,用特定的技法,将构想画在布面或其他材料上;国画是用毛笔蘸上墨等水溶性颜料,以特有的笔法,将构想画在宣纸、帛以及其他材料上。但对设计产品来说,在实现方式上是通过脑力劳动的创造与大工业机器生产相结合来完成的,如今科技的进步和电脑的产生,给设计业带来了划时代的变化,设计作品的产生方式更加体现了机器的智能化、系列化,机器的重要性越来越明显。 其次,绘画与设计在商品经济中的地位是不同的。 对于绘画而言,是非商品化的(商业绘画除外),画家们强调的是自身的感受、意念、风格和精神内涵,如现代绘画更是创新观念独特,其个性表露和情感发泄更加强烈,使人惊讶不已,画家不会考虑其绘画能否让观者接受,更不去考虑绘画在商品经济中的地位。但设计是一项为他人服务的活动,具有物质性、功利性和实用性,并与商界有密切联系。如果说消费者和顾客是上帝的话,那么设计师就得屈服于他们的“上帝”,这是应该遵循的原则。设计者必须使他的产品具备使用价值与审美价值,去满足消费者的种种需求,赢得他们的信任与满意,最后通过市场竞争,使之实现畅销。因此,设计在商品经济中的地位是举足轻重的。 三、绘画与设计的联系 虽然绘画与设计之间存在着各种差异,但不能否认绘画与设计这两个同属于一根藤的瓜,有着千丝万缕的联系。如:早期绘画与设计的起源在艺术规律和基本特征上有着很大的相似性。又如,具备必要的绘画知识及审美能力,对于设计教学和设计实践尤为重要。在设计教学中,学生应具备必要的绘画知识,才能表达各类形态的造型,并能提高形象思维能力、抽象思维能力、抽象表现能力、对形态的审美能力等。这就意味着素描教学有很重要的地位,学生的绘画是从基础素描开始的,随后再通过设计素描、设计草图、设计效果图等课程的学习进行绘画的进一步训练。这些课程在培养学生从设计基础向设计专业过渡和衔接上起到关键性作用,是培养学生的设计意识及设计表达能力不可缺少的重要环节。在设计实践中,更是离不开绘画,如果一个从事设计的人不懂得绘画,那是寸步难行。这是因为:第一,在设计前期,也就是在想象和构思阶段,绘画(绘制草图)可以帮助捕捉灵感;第二,成熟的设计意念需要通过绘画得到具体表达,传达给他人。 绘画与设计也将随着时代的前进而发展。我国的绘画将继续在国际性的巨大风格差异中摸索和试验,探索新的道路,将绘画的时代性、民族性、当代性放在第一位,开创中国绘画的国际地位与影响,这对设计领域也是一个很好的促进;在设计教育方面,我国将实行素质教育,它是一种综合教育方式,涉及到社会、人文、科技,具有跨学科意义,使学生得到设计方向、设计商务、设计策划等多途径的教育,这对绘画观念的更新有着巨大影响。 结语 绘画与设计,就好比是“一根藤上的两个瓜”,是不可分割的。只有正确理解绘画与设计的起源与奥秘、特点与使命、异同与对比、整合与发展等,才能对两者的关系有客观的、深刻的、科学的认识,这对提高教学的质量、打造时代所需要的设计人才,弘扬中国元素与民族精神,摘掉中国设计师只会拷贝的帽子,具有建设性意义。