敦煌3000字论文

Dunhuang fresco is the composing part of Dunhuang grotto The grotto art of Dunhuang is great and Represented by Mogao Grottoes, the grotto art of Dunhuang is rich and colorful, and exist in large quantities, including frescos, painted sculptures, scriptures, scrolls and a lot of other artistic Among the artistic forms, the relics of the frescos in the Mogao Grottoes are the most In the Tang Dynasty, the Mogao Grottoes had boasted more than a thousand stone Now, 492 grottoes have been left, together with 45000 square meters of frescos in The portrayed social life scenes and appearances of various people of different dynasties before the Tang Dynasty among the frescos of Dunhuang are the precious materials for researching on the clothes and customs of the people of all the ethnics in different The frescos can be divided into Buddha statue paintings, Buddhist sutra paintings, narrative paintings, alimentation paintings, animal paintings, landscape paintings, decoration paintings and so The Buddha statue paintings include the portraits of various Buddha statues and Bodhisattvas while Buddhist sutra paintings, which are also called "sutra converted painting", uses the means of painting to express the contents of Buddhist The narrative paintings, however, are characterized by rich contents, vivid plots and strong traces of life, so, they are embedded with great Alimentation paintings are the portraits of the people who believed in Buddhism and donated funds to build grottoes, together with their relatives and The beautiful natural sceneries in some of the landscape paintings are painted according to the landscapes in sutra, while some others are independent pictures that take landscapes as the main There are also colorful decoration paintings, which were used to decorate the grotto Dunhuang frescos have abundant contents, varied forms and vivid time They reflect that the craftsmen at that time had advanced painting skills and abundant imagination They provide a large amount of objective materials for researching on the Chinese art 翻译过来就行了！

伯希和敦煌“劫经”法国国立研究中心和高等实验学院联合组成的483研究小组，是西方唯一的敦煌学专门机构，其宗旨是编写巴黎国立图书馆所藏伯希和敦煌汉文写本目录；指导和推动敦煌写本的研究。他们在20世纪80年代陆续出版了《敦煌学论文集》。自从中法于1964年建交以来，法国学者写了很多研究中国西域史的论著。改革开放以后，两国敦煌学交流关系愈发密切，法国开始办“敦煌石窟艺术节”特展等活动。另外，法国敦煌学者积极参加中国敦煌学学术会议、中法联合举办学术讨论会。近年，敦煌研究院与法国国家图书馆签署合作协议，法方向中方赠送其馆藏敦煌写卷的数字化副本，并授权中国敦煌学者在非商业用途上无偿使用数字化法藏敦煌文献。

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